Observations and ruminations on Gender Tender’s Melted Riot, a meditation on the cultural flotsam and impact of the Stonewall Inn Riots on their 50th anniversary.
José Amador returns to talk about Dani Tirrell’s BLACK BOIS, an evening length dance program that is having its premiere at On the Boards this weekend.
All about Kim Lusk and her A Dance for Dark Horses, a new dance having its world premiere Velocity Dance Center,
Those going to McCarthy’s Eight Abigails this weekend at Velocity Dance Center can expect to feel a sudden awareness of unexpected surroundings, for this reason José Amador fills us in on the artist and how to prepare ourselves for the show.
José Amador interviews the playwright, director and ensemble member from Annex Theatre’s upcoming production of Seth Tankus’ EAT CAKE.
José Amador discusses the unfortunate familiarity found at the center of MAP Theater’s production of Amy Herzog’s BELLEVILLE.
José Amador muses on the return of the Seattle Fringe Festival after a year long absence, briefly reviews four productions and suggests a handful of other shows at the Fest.
MAP’s production of Vince Delaney’s THE ART OF BAD MEN represents a sort of ideal; the entire endeavor has the feel of familial comfort. This is a fortunate circumstance, for Delaney has taken THREE SCREAMS’ meditation on how we relate to art and added a simple layer of complex morality for the company to explore.
José Amador sits down with The Horse in Motion’s Bobbin Ramsey to discuss her company’s coming production of BRECHTFEST at the Can Can.
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