MAP’s production of Vince Delaney’s THE ART OF BAD MEN represents a sort of ideal; the entire endeavor has the feel of familial comfort. This is a fortunate circumstance, for Delaney has taken THREE SCREAMS’ meditation on how we relate to art and added a simple layer of complex morality for the company to explore.
José Amador sits down with The Horse in Motion’s Bobbin Ramsey to discuss her company’s coming production of BRECHTFEST at the Can Can.
The ensuing commentary was originally intended to be the introduction to our review of Brandon Simmons’ IS SHE DEAD YET?
José Amador on the controversial comedy taking place at Annex Theatre.