Why Jet City Comic Show Did Not Suck
Comix has been hijacked by people who have little to no interest in the field itself. Jet City Comic Show was at least a noble attempt to put comics back into comics conventions. Its founders referred to it as a “back to basics comic show” which is a fair description. The concentration was clearly upon comics, comics art and comics artists. It was exactly what a convention should look like.
Canapes and Cherryhs with Sable: Seattle’s Sable Jak Talks About Her Upcoming Foreigner Audio Drama Series
Omar Willey sits down with Sable Jak to discuss her upcoming audio drama series based on the Foreigner novels of C.J. Cherryh.
How Theatre Puget Sound’s Proposal Failed
The Theatre Puget Sound proposal to assume management of the recently-vacated Seattle Center Playhouse simply did not measure up to the Cornish proposal. A look at why it did not succeed might be helpful for anyone who poses a future such venture with another similar space in the future.
Author C.J. Cherryh Brings Her Foreigner Series to Audio, with Sable Jak at the Helm
Audio Cinema Entertainment has obtained the rights to produce a full-cast audio version of the first three books of Hugo Award-winning author C.J. Cherryh’s science fiction series, Foreigner Universe. And they have chosen Seattle.
Bardolatry and Its Discontents
Shakespeare is treated with a true idolatry–Bardolatry. Producing groups do not help when they treat audience members like sheep and imply that they need not understand Shakespeare. Theaters are there to pass down the Law. They expect that the barbarians simply arrive at the Church of Theater, convert to the cause of Bardolatry and receive William’s Holy Word like a communion wafer. Whether or not the barbarians understand transubstantiation is immaterial to the purposes of the Church.
Enchanted: Sitting Down with Writer Sable Jak
Seattle has always been a radio city. It should surprise no one that Seattle still remains a vital home for audio drama and dramatists like Sable Jak, winner of the 2012 Moondance prize for Best Radio Drama Script for her story, The Enchantress.
Against Complacency: Pratidhwani’s Compleat Wrks of Wllm Shkspr (Abridged) Bridges a Gap
The death of most Shakespearean productions is complacency. The director “knows” what the play is about. The actors “know” how Shakespeare sounds. The audience “knows” what to expect. But what if they don’t? What if none of this is true? What if everyone involved has to discover a play for the first time?
Musopen Sets Music Free
The Musopen project is complete. The orchestra have finally completed their recording process and have released a full DVD of classical delights into the public domain, free of charge. The list of recordings is phenomenal for any music lover, even one who only casually likes classical music or one who is simply eager to learn.
The Working Artist: Paige Barnes – The Artist
Part 3 of The Working Artist series featuring dancer Paige Barnes. Wherein Omar Willey discusses the role of the artist in society with bits of poetry.
The Working Artist: Paige Barnes – In The Studio
Ms. Barnes has been popping up everywhere lately: From Vanessa deWolf’s Score for an Unrehearsed Ensemble to impromptu events at Kaleidoscope Vision and Danse Perdue, she has shown a penchant for keeping busy. Still, she always returns to Open Flight Studio, which she co-founded in 2002-2003. I caught up with Ms. Barnes at Open Flight Studio in rehearsal for her new dance work, Lead Bunny.
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