Proto-Absurdity: The Lower Depths
Omar Willey reviews Theatre Machine’s production of The Lower Depths and stuff.
In Search of the Superfluous Woman: The Three Sisters
The tradition of the superfluous man in Russian literature is a source of much discussion. But what about the superfluous woman? Omar Willey writes.
A Complementary Opinion
Thoughts on comp tickets and the new economy of controlled speech.
The Crawling Creator Crawling in the Same
Thoughts on UMO Ensemble’s attempts to Fail Better.
Nothing, Taking Its Course
Thoughts on Ghost Light Theatricals’ offerings of Beckett’s Endgame and Blood Ensemble’s Beckett-inspired NDGM.
Future Present: DASS Dance’s Lights Camera ACTION
Some thoughts about DASS Dance’s Lights Camera ACTION.
The Tao of Amy O’Neal: Opposing Forces
A rumination on Amy O’Neal’s dance at On the Boards.
Neighborhood 3: Requisition of Doom and the Broadly Thin Line
Thoughts on horror, morality, tone, and perspective, courtesy of the UW UTS’s Halloween production.
Internal and External: modus operandi‘s modi operandi
An evening of two contrasting halves and two contrasting choreographers, yet all on similar themes. Omar Willey writes.
Karin Stevens + Samantha Boshnack = Mystery
The interplay of jazz and dance breeds
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