Omar Willey contemplates the changes of 22 years, via Theater Simple’s remount of Master and Margarita.
Who will conduct brilliant interviews in the absence of CityArts? We will, of course. We interview that beige guy about some theater-y whatever.
In the spirit of City Arts, we bring you more hard-hitting aesthetic judgment, this from I.M. Fletcher.
Omar Willey returns to theater criticism with this piece on Akropolis Performance Lab’s production of Genet’s play.
Of radio, film and theater, and when to decide. Omar Willey’s latest thoughts on theater via review of Sameer Arshad’s Crewmates.