It is preposterously easy to imagine the kind of person who would leave the theater after seeing Rabih Mroué’s Looking for a missing employee, currently playing at On the Boards through two more performances today (one at 4:00p.m. and another at 8:00p.m.), feeling a misplaced sense of jingoistic superiority. José Amador explains why this would be missing the point.
Here’s what nobody’s saying regarding the glorious aspect of the “Snow in Seattle” phenomenon: It just takes some warm wind and rain, and it melts faster than anything…In the meantime, we have a bunch of cars with California plates driving like black ice is a figment of somebody else’s imagination, and theater companies are deciding what to do with the shows that are set to open this weekend. Already we’ve seen one opening pushed back a week, and a couple of others making adjustments. In the meantime, here’s what’s on offer once the roadways are clear, or you decide to take in something within walking distance, and companies are ready to go.
Last weekend, José Amador took up blogging duties for the first weekend of 14/48’s Winter 2012 Festival; today he uses excerpts from that weekend’s entries to provide an in-depth look at the festival from within.
Rolling right along with January, this weekend brings us the kind of theatrical variety platter that makes us the envy of the West Coast: A world premiere by one company, another up North, fourteen from a different company, the return of a Northwest puppet staple, some semi-absurdist silliness, and a staged reading on Monday, why not?
It seems like an eternity since we last spoke, even though it’s only been two weeks. A mere fortnight. Lots has happened in those fourteen days; some year end lists were released, some awards were given out (with others still to come); a nice way to take a breather after the end of a busy year — your correspondent’s ruminations on that year will be coming soon. The time for rest is over; time to see if we can improve upon last year’s achievements.