The implication is that “vital superheroes” are the apex of comic book writing and that romance comics are beneath contempt for any artist of Jack Kirby’s stature. More accurately, though, a return to simple reality was in the air. Romance comics were the height of American realism in comics.
The interesting question arose at the webcomics panel Thursday night at the Henry: “How do you find all this stuff?” I believe the woman who asked it genuinely wished to know more about webcomics. Between the five artists on the panel, the best answer they could manage was “Word of mouth, definitely.” While this sounds like a good marketing strategy, the answer can only be unsatisfactory to a novice. The answer “word of mouth” simply raises more questions.
One of the marvelous things about the Seattle arts community is its literary heart. Few environments can boast of lit-driven ensembles like Book-It Reparatory Theater and the Bushwick Book Club Seattle. Beginning in 2010, Bushwick members have taken great risk in drawing musical inspiration from written works deeply entrenched in the popular consciousness, if not the personal mythology, of its audience.
Here at the Star, we will not be formally attending ECCC, but we do want you to know about some of the local events surrounding the convention. One such exciting opportunity will be held at the Unexpected Production’s Market Theatre on Saturday night, March 31.
Now that bandwidth has hit a safe plateau where consumers can download massive picture files at will, it makes sense that someone would bring back the free comix tabloid. That is exactly what Seattle’s Bureau of Drawers have done.