Omar Willey visits the Pocket Theater for Price Arts’ latest dance and finds it not so weird at all.
Our publisher finds time to write, and lays out some further thoughts on religion in theater inspired by Taproot’s A Joyful Noise.
Thoughts on other dimensions of Nick Stokes’ Duels
Modernism via Bach: Omar Willey discusses the latest concert of Piffaro The Renaissance Band.
Omar Willey considers the Chinese Wu Xing and the dance of Karin Stevens in his latest review.
A preview of The Cabiri’s remount of Tarhun: Legend of the Lightning God
Concerning Julia Cho’s melodrama. Omar Willey writes.
Some thoughts on the unfortunate separation of storytelling from theater, by our publisher.