Omar Willey pens some thoughts on the production of 1984 at 18th & Union.
Change the audience; change theater. Carla Rice and Kayla Besse take a lesson from disability arts.
In an often hopeless world, international youth find hope through the social medium of theater. Kathleen Gallagher on the scene.
Omar Willey contemplates the changes of 22 years, via Theater Simple’s remount of Master and Margarita.
Who will conduct brilliant interviews in the absence of CityArts? We will, of course. We interview that beige guy about some theater-y whatever.
In the spirit of City Arts, we bring you more hard-hitting aesthetic judgment, this from I.M. Fletcher.
Omar Willey returns to theater criticism with this piece on Akropolis Performance Lab’s production of Genet’s play.
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