Top of the Pops: Cirque Goes Broadway
Omar Willey goes to the symphony and the circus and Broadway all at the same time in his latest review.
Travels in Lisbon: At the Creative Commons Summit, Part 3
More thoughts on the commons and the nature of things from Omar Willey’s Lisbon adventure.
Travels in Lisbon: At the Creative Commons Summit, Part 2
Our publisher dissects the evening’s entertainment at the Creative Commons 2019 Global Summit.
Travels in Lisbon: At the Creative Commons Summit, Part 1
Omar Willey pens his thoughts on Day 1 of the Creative Commons Global Summit in Lisbon.
Travels in Lisbon: At the Creative Commons Summit, Part 0:Prelude
Our publisher travels to Lisbon for the 2019 Creative Commons Summit and comes back with a report.
The Devil Returns to Seattle: Master and Margarita
Omar Willey contemplates the changes of 22 years, via Theater Simple’s remount of Master and Margarita.
Encounters with Anonymous: Blue Notes
Omar Willey returns to the subject of anonymous photography in this latest piece about the blues and the news.
Encounters with Anonymous: Camera I
Omar Willey’s column on anonymous photographs considers why people hate photography.
The Ghastly Impermanence: Manchild in the Promised Land – Bronzeville
Thoughts on the African American experience in audio, courtesy of Larenz Tate & Laurence Fishburne’s Bronzeville
