I went into Pip Chodorov’s Free Radicals: A History of Experimental Film with reserved judgment. What I found while watching the film was that it is a film of incredibly narrow range.

In this entry the Night and Day Film Noir series’ curator Bradon Ryan and the Star’s José Amador effuse all over Carol Reed’s production of Graham Greene’s script The Third Man, briefly delve into the film’s production history and somehow find themselves in the middle…

Director Lorraine Levy tells the story of two teenagers, one Israeli, and one Palestinian, who discover they were switched at birth. We follow the two young men as they and their families absorb the shock, re-assess their relationships, and forge new ones.

This week, Ryan turns the table on the Star’s José Amador, discuss the lesser known movies that are coming up on the program, briefly touch on the influence of European films on the Noir genre, and talk about Billy Wilder’s notable characteristics on the way…

This week, the Star continues its conversation with Brandon Ryan, talking a bit about Christopher Nolan’s Memento, play a game of Noir/Not Noir, and discuss some of Ryan’s considerations regarding what films to select for the series.

The Star continues its conversation with Brandon Ryan, the curator behind Central Cinema’s Night and Day film noir series, first by defining his criteria for what makes a film noir, and then delving into the convoluted and controversial production history behind the first of September’s…

Last week, we began a conversation with Brandon Ryan, the curator of the Night and Day Film Noir Series at the Central Cinema. The series is designed to feature two noir genre movies a month, a classic entry to be followed the subsequent week by…