Category: Comix

Cinema Comix Culture Literature

A Few Clumsy Words about Jeffrey Brown

When I first moved to Boston from Seattle in my early twenties, I was filled with confusion, excitement, and the terrifying thought that I had no idea what I was doing when it came to relationships, jobs and the other mysterious workings of the world. Around that time my good friend Laura introduced me to Brown’s first graphic novel, Clumsy. In his book, Brown so realistically painted a portrait of young love–in all of its awkwardness, earnestness and blind idealism–that it all felt immediately familiar.

Comix Culture

ECCC: A Con with No Character





I’ve been hearing from many creators that the Emerald City Comic Convention is one of the last good “comic” conventions to grace the Pacific Northwest, that it still had “character.” On this, the 10th Annual ECCC, the only real characters flitting about were fictional: two designated convention superheroes, Emerald City Crusader and Crusaderette. If those names were any indication of how unique and how filled with character this “comic” convention was supposed to be, Seattle is in a world of hurt.

Comix Culture Visual Arts

Word of Mouth and the Gatekeepers of Comic Art

The interesting question arose at the webcomics panel Thursday night at the Henry: “How do you find all this stuff?” I believe the woman who asked it genuinely wished to know more about webcomics. Between the five artists on the panel, the best answer they could manage was “Word of mouth, definitely.” While this sounds like a good marketing strategy, the answer can only be unsatisfactory to a novice. The answer “word of mouth” simply raises more questions.

Comix Literature Music

Bushwick Book Club Seattle watches the Watchmen

One of the marvelous things about the Seattle arts community is its literary heart. Few environments can boast of lit-driven ensembles like Book-It Reparatory Theater and the Bushwick Book Club Seattle. Beginning in 2010, Bushwick members have taken great risk in drawing musical inspiration from written works deeply entrenched in the popular consciousness, if not the personal mythology, of its audience.