“Sweeney Todd”: A Pie For a Pie Truth to Find; or, All The Things We Got By Now Sewing Pathos to the Grand Guignol
Andrew Hamlin watches Sweeney Todd.
Live to Run Another Day: Refugees in the Garden City
Omar Willey’s thoughts on the great American play.
A World of Excuses: The Oregon Trail
Thoughts on postmodernism, fatalism, and community theater. A typical review from Omar Willey.
If You’re Born on an Island, The Ocean Heals You: Jacob Jonas The Company’s Crash and Other Works
Omar Willey travels to exotic Edmonds for his first dance review since quarantine.
Nora Torches the Night
A musical cabaret play by Dennis Nyback.
For Nietzsche, Life’s Ultimate Question Was: “Does it Dance?”
Kimerer LaMothe on Nietzsche and his passion for meaning through dance.
Philosophy of the Ultimate Revolution: 1984
Omar Willey pens some thoughts on the production of 1984 at 18th & Union.
How a Radical Form of Accessibility is Pushing the Boundaries of Theater Performance
Change the audience; change theater. Carla Rice and Kayla Besse take a lesson from disability arts.

Except where otherwise noted, the content on this site is licensed under a Creative Commons Attribution 4.0 International License.