Sunday Comics
“Maybe just a ghost,” you say and forget about it. I stopped talking, then the Sunday Comics are talking to my nail stinging. I can snatch out; so cold, lost parts they are stinging me so cold.
Gender Tender’s Melted Riot at Velocity
Observations and ruminations on Gender Tender’s Melted Riot, a meditation on the cultural flotsam and impact of the Stonewall Inn Riots on their 50th anniversary.
The Dancing Species: How Moving Together in Time Helps Make Us Human
Humans dance so that they may grow fully into being human. Kimerer LaMothe writes.
Youth Find Hope for the Future Through Documentary Play
In an often hopeless world, international youth find hope through the social medium of theater. Kathleen Gallagher on the scene.
Is Acting Hazardous? On the Risks of “Immersing” Oneself in a Role
A consideration of the acting myths about getting lost in character. Samuel Kampa writes.
The Devil Returns to Seattle: Master and Margarita
Omar Willey contemplates the changes of 22 years, via Theater Simple’s remount of Master and Margarita.
Why I Got Up on Stage at the Edinburgh Fringe to Explain My Research in Cabaret Form
How an academic overcame stagefright to present dangerous ideas at the Edinburgh Fringe Festival. Anna Sedda writes.
‘What the Hell is a “Aguey”?’: An Exit Interview with Jose “Two Tongue” Amador
Who will conduct brilliant interviews in the absence of CityArts? We will, of course. We interview that beige guy about some theater-y whatever.
Can White People Ever Be Relevant Again?
In the spirit of City Arts, we bring you more hard-hitting aesthetic judgment, this from I.M. Fletcher.
The Revolt of the Misses: The Maids/Vexations at APL
Omar Willey returns to theater criticism with this piece on Akropolis Performance Lab’s production of Genet’s play.

Except where otherwise noted, the content on this site is licensed under a Creative Commons Attribution 4.0 International License.