In an often hopeless world, international youth find hope through the social medium of theater. Kathleen Gallagher on the scene.
A consideration of the acting myths about getting lost in character. Samuel Kampa writes.
Omar Willey contemplates the changes of 22 years, via Theater Simple’s remount of Master and Margarita.
How an academic overcame stagefright to present dangerous ideas at the Edinburgh Fringe Festival. Anna Sedda writes.
Who will conduct brilliant interviews in the absence of CityArts? We will, of course. We interview that beige guy about some theater-y whatever.
In the spirit of City Arts, we bring you more hard-hitting aesthetic judgment, this from I.M. Fletcher.
Omar Willey returns to theater criticism with this piece on Akropolis Performance Lab’s production of Genet’s play.
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