Encounters with Anonymous: Heterodoxy
Omar Willey travels to a time of cigarettes and bloomers.
Encounters with Anonymous: At First Cobwebs, At Last Cables
Omar Willey returns with his column on anonymous photographs.
Encounters with Anonymous: Time Passages
Omar Willey pulls a photograph out of a box in his return to photography writing.
Encounters with Anonymous: Playing to the Gallery
Omar Willey returns with his thoughts on anonymous photographs.
Uzbekistan as Creative Chaos: A Photographer’s Interpretation of His Nation’s Search for Identity
Beyond the postcard images, Uzbekistan still grapples with its identity. One photographer seeks to address the irony.
Out-of-Context Photos are a Powerful Low-Tech Form of Misinformation
Examining how photographs do not tell the truth, but actually are the source of great lies. Lisa Fazio writes.
Encounters with Anonymous: Ars Brevis, Vita Longa
Omar Willey returns to thinking about art via anonymous photographs in his latest column.
Densho’s Online Photo Collection: Occupation-Era Japan—and Japanese-American Internment
Ted Akimoto’s photos document the postwar occupation of Japan and Korea — and are free to use at Densho. Nevin Thompson writes.
Encounters with Anonymous: Loupe Back
Omar Willey returns to his musings on anonymous photographs and the problems of “art.”
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