Encounters with Anonymous: Playing to the Gallery
Omar Willey returns with his thoughts on anonymous photographs.
Uzbekistan as Creative Chaos: A Photographer’s Interpretation of His Nation’s Search for Identity
Beyond the postcard images, Uzbekistan still grapples with its identity. One photographer seeks to address the irony.
Out-of-Context Photos are a Powerful Low-Tech Form of Misinformation
Examining how photographs do not tell the truth, but actually are the source of great lies. Lisa Fazio writes.
Encounters with Anonymous: Ars Brevis, Vita Longa
Omar Willey returns to thinking about art via anonymous photographs in his latest column.
Densho’s Online Photo Collection: Occupation-Era Japan—and Japanese-American Internment
Ted Akimoto’s photos document the postwar occupation of Japan and Korea — and are free to use at Densho. Nevin Thompson writes.
Encounters with Anonymous: Loupe Back
Omar Willey returns to his musings on anonymous photographs and the problems of “art.”
Beyond the Image: How Spanish Photographers Albarrán Cabrera Formulate Experience Through Pictures
Spanish photographers Anna P. Cabrera and Angel Albarrán explore time, memory and beauty in their art. Omid Memarian interviews the duo.
Encounters with Anonymous: Blue Notes
Omar Willey returns to the subject of anonymous photography in this latest piece about the blues and the news.
Encounters with Anonymous: Camera I
Omar Willey’s column on anonymous photographs considers why people hate photography.
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