Some thoughts about Young Jean Lee’s UNTITLED FEMINIST SHOW at On the Boards.

Director Jeffrey Fracé and his talented young cast explore the history of experimental theater in this excellent production.

Omar Willey reviews the University of Washington UTS production of Edmond Rostand’s play of great renown, and finds much joy in this student production.

If control of language means control of thought, it is equally sensible that he who controls images controls identity. Where America and Europe often treat art as commodity or mere “self-expression,” the meaning of art runs quite a bit deeper in this play by David…

Directors are responsible for choosing an interpretation about what the play means and removing obstacles so that the actors can do their work. Particularly in text-based classic theater, the director must make a convincing argument what this play means and, to some degree, why it…

If there was a lesson to be learned from ACT’s regrettable 2011 production of Lieutenant of Inishmore it was simply that performing Martin McDonagh’s material isn’t as easy as it looks. José Amador views Theater Schmeater’s latest attempt at McDonagh and finds that they come…

Why haven’t we institutionalized the act of getting a divorce? Seems a simple enough question, one with a ready enough answer, if a bit glib: Divorces are fraught with so many emotions we’d rather not be confronted with in public, that the idea of making…

Beating Up Bachman is playwright Wayne Rawley’s latest offering, which is another of his characteristic explorations of small town life in the Pacific Northwest which is at turns exceedingly humorous, well observed, touching and more than a little dark at its core. José Amador has…