Dancing Life
It’s not a dog’s life, but a dancer’s life can be difficult. Lola Peters gathers some helpful hints for dancers and audiences.
Charles’ Moby Alpha: A Clever Showcase of Sharp Wits
It seems foolhardy to try to critique sketch comedy — either something is funny to a person or it isn’t, one should simply…
BOOST Weekend One: The Theme of Dreams
Thoughts on the first weekend of the BOOST Dance Festival.
In the Book of: Politics as Psychodrama
Taproot Theatre’s latest production inspires a discussion about why American drama cannot handle politics.
This Week in Performance: Week of March 27, 2014
Another perilous pulse-pounding week of performance for the persnickety. José preaches.
Burying the British: Uncle Vanya
Chekhov has been trying to shake off a century of British colonialism. Akropolis Performance Lab’s production of Uncle Vanya shows one alternative to the dullness.
Purely Artificial: The Suit
Thoughts on The Suit.
This Week in Performance: March 20, 2014
We preview a truly plentiful week of promising performance.
Blame It on the Farce: An Interview with the Producers of Girl, You Know It’s True
José Amador talks with Rebecca M Davis and Ed Hawkins, producers of the Milli Vanilli parody, Girl You Know It’s True.
Except where otherwise noted, the content on this site is licensed under a Creative Commons Attribution 4.0 International License.