The Ghastly Impermanence: Post-Serialism
If one believes the recent article in The Atlantic Magazine, serials are on the rise again in both television and literature. Whatever the reasons for their current fashion, what lies behind the trendiness of the serial is a much darker matter.
Cyrano: The Rough and the Ready
Omar Willey reviews the University of Washington UTS production of Edmond Rostand’s play of great renown, and finds much joy in this student production.
Run Like a Dog
March finds Pam Carter returning to canine contemplation.
March 4, 1978: The Bird Was the Word
Before there was “the year punk broke,” there was the night when “punks flipped the Bird.” Jeff Stevens tells the brazen story of the Bird, Seattle’s first punk club.
The Ghastly Impermanence: Seattle’s Radio Theater Channel Gets Bookish
The Radio Theater Channel brings out their new sister to the debutante ball: the Radio Book Channel.
Three Boxes, One Classroom: Another Argument for Food Banks
We learned this lesson in Portland from our daughter: It’s one thing to see the full boxes, to see the food that’s being given. It’s another thing to see the hunger. Tamiko Nimura gets back to basics.
Pentecost: Art as a Moral Matter
If control of language means control of thought, it is equally sensible that he who controls images controls identity. Where America and Europe often treat art as commodity or mere “self-expression,” the meaning of art runs quite a bit deeper in this play by David Edgar, given a fine production by the UW School of Drama.
Fado Comes to Seattle: Ana Moura visits Meany Hall Saturday
Ana Moura brings the newly revived spirit of fado to Seattle audiences.
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