Omar Willey reviews the latest production of Electra from the UW UTS.
Omar Willey takes stock of his trip to PDX.
MAP's production of Vince Delaney's THE ART OF BAD MEN represents a sort of ideal; the entire endeavor has the feel of familial comfort. This is a fortunate circumstance, for Delaney has taken THREE SCREAMS' meditation on how we relate to art and added a simple layer of complex morality for the company to explore.
Philippe Quesne's piece at On the Boards proposes naïveté as the basis of theatrical magic. Omar Willey considers.