Philippe Quesne's piece at On the Boards proposes naïveté as the basis of theatrical magic. Omar Willey considers.
José Amador sits down with The Horse in Motion's Bobbin Ramsey to discuss her company's coming production of BRECHTFEST at the Can Can.
The ensuing commentary was originally intended to be the introduction to our review of Brandon Simmons’ IS SHE DEAD YET?
José Amador on the controversial comedy taking place at Annex Theatre.