Electra: Oration, Orison and Oratorio
Omar Willey reviews the latest production of Electra from the UW UTS.
Commonality: Part Three – Social Media
Our publisher takes on social media’s role in failed sharing in this installment.
The Ghastly Impermanence: Return to Center
Omar Willey’s column on audio drama in the 21st Century returns from its long hiatus, with or without you.
Commonality: Part Two – The Rule of Law
Part two of a series on the idea of a global commons. In which our publisher discusses another reason sharing fails: people do not respect the rule of law.
Forces Opposed: Lessons from PDX, Part 1
Omar Willey takes stock of his trip to PDX.
Commonality: Part One – Permissions Slip
Our publisher gets serious about the commons in this multi-part series. In Part one of the series, Omar Willey discusses why sharing fails among people.
Small Wonder: La Mélancolie des dragons
Philippe Quesne’s piece at On the Boards proposes naïveté as the basis of theatrical magic. Omar Willey considers.
In the Absence of the Feminine: Dance Like a Man
Omar Willey disserts on Pratidhwani’s production of Mahesh Dattani’s highly-respected play.
The Drama is Unbecoming Now: Six Characters in Search of an Author
Omar Willey muses on Seattle Theatre Works’ production of the Pirandello classic.
Hypnogogia, Community and the Night: The Cabiri’s Ezid
Thoughts on the Cabiri’s production of Ezid and contemporary mythmaking.

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