Seattle Photographer Detained by Homeland Security
Homeland Security detain a photographer at 1st & Cherry, apparently for photographing the Federal Building.
The Ghastly Impermanence: The Politics of Perspective in Dan Rebellato’s Syria
Audiences do not need more simplification of issues in the world, they need easier access to those issues–and better guides through them. Dan Rebellato’s Negative Signs of Progress offers an example how to do topical radio drama right.
Past to Present: The Trey McIntyre Project Mixes It Up at UW World Series
The three pieces Trey McIntyre chose to show Seattle last week come from rather different phases of the group’s existence. Unlike his last Seattle program, which featured numerous physical props, this program featured more purely physical dance yet with an exceptional diversity of style.
Sobel v. Eggleston: Color Me Amused
Collector Jonathan Sobel appreciates William Eggleston’s photographs. He must: he owns at least one hundred ninety of Eggleston’s prints. So it came as a bit of surprise when Mr. Sobel decided to sue Mr. Eggleston and his trust last year.
From the Publisher: A New Look for The Seattle Star and a New Phase
A new look for The Seattle Star, and a reaffirmation of our commitment to a pay-what-you-will system for the magazine.
The BOOST Dance Festival: Representing Seattle
A look back at the BOOST dance festival 2013.
Everyone’s a Critic–Except When They’re Not, Part Two
More thoughts on Culturebot’s Everyone’s a Critic evening.
The Ghastly Impermanence: An Interview with Sebastian Bączkiewicz
Sebastian Bączkiewicz is one of England’s leading radio playwrights. Recently recipient of the Silver Award at the Prix Europa, his work reveals his deep concerns with folklore and mythology, and how it all influences the modern, rational world. Omar Willey caught up with him for this interview.
Everyone’s a Critic–Except When They’re Not, Part One
Thoughts on Culturebot’s presentation at On the Boards: not quite the horizontal approach at its most refined.

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