José Amador discusses the unfortunate familiarity found at the center of MAP Theater’s production of Amy Herzog’s BELLEVILLE.
Wesley K. Andrews returns with some thoughts on the devil and Miss Hart.
Concerning Julia Cho’s melodrama. Omar Willey writes.
José Amador muses on the return of the Seattle Fringe Festival after a year long absence, briefly reviews four productions and suggests a handful of other shows at the Fest.
Some thoughts on the unfortunate separation of storytelling from theater, by our publisher.
Omar Willey gets back to the theater beat and finds himself face to face with Mephistopheles and other Germanic plights.