Can White People Ever Be Relevant Again?
In the spirit of City Arts, we bring you more hard-hitting aesthetic judgment, this from I.M. Fletcher.
The Revolt of the Misses: The Maids/Vexations at APL
Omar Willey returns to theater criticism with this piece on Akropolis Performance Lab’s production of Genet’s play.
Morality Collapse: Pratidhwani’s Queen
Thoughts on the latest Pratidhwani production from Omar Willey.
The Past Sure is Tense: Don’t Call it a Riot!
Concerning Amontaine Aurore’s latest show at 18th & Union.
Theater and Imagology: Crewmates
Of radio, film and theater, and when to decide. Omar Willey’s latest thoughts on theater via review of Sameer Arshad’s Crewmates.
Hamlet in Motion
Omar Willey opines on The Horse in Motion production of Hamlet.
Of Fight and Fitness: Woody Shticks’ Maniac
A brief preview of the latest from fitness guru Woody Shticks.
Down Through All Eternity, The Crying of Humanity: Crime and Punishment
Omar Willey gets literate with some thoughts on Akropolis Performance Lab’s latest: Dostoevsky’s Crime and Punishment.
No Dogs, No Indians
In a world mediated by sound-bites, perhaps the theatre can take us back to what it means to be human. Siddhartha Bose writes.
Can Theater Change Your Mind?
Most people don’t think of media as propaganda, yet confirmation bias is rife. What can be done? Rocky Rodriguez Jr. explores a different possibility for change: the theater.
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