The Devil Returns to Seattle: Master and Margarita
Omar Willey contemplates the changes of 22 years, via Theater Simple’s remount of Master and Margarita.
Encounters with Anonymous: Blue Notes
Omar Willey returns to the subject of anonymous photography in this latest piece about the blues and the news.
Encounters with Anonymous: Camera I
Omar Willey’s column on anonymous photographs considers why people hate photography.
The Ghastly Impermanence: Manchild in the Promised Land – Bronzeville
Thoughts on the African American experience in audio, courtesy of Larenz Tate & Laurence Fishburne’s Bronzeville
Encounters with Anonymous: Spectacularly Quotidian
Omar Willey considers the trope of snow.
Encounters with Anonymous: Art and the Ordinary
Omar Willey returns to writing about anonymous photographs and their relationship to art.
The Ghastly Impermanence: Dogme 18 Revisited
Omar Willey returns to the subject of Dogme 18 to unconfuse the confused.
From the Publisher: Seventh Sun
On our seventh birthday, The Star’s publisher redoubles his efforts.
The Ghastly Impermanence: Dogme 18
Our publisher proposes a list of Dogme 95-style rules for audio drama.
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