The Show That Went On: How It All Turned Out
The theme of this show was “First Times,” so each of us talked about a first experience: first girlfriend, first trip to Europe, first road trip, first Communion. I’d originally pitched mine as the story of doing my first yoga headstand. After a while, though, the first headstand story became intertwined with another first time story: that of losing my job. How did I put them together? I hope you’ll listen and find out.
Is It Hummable?
Prose poetry from the mind of Miryam Gordon.
The October Country: A Photographic Tribute to Ray Bradbury
A tribute to the late master of speculative fiction by Robin Michael Merigan.
Interview with David Nixon: Local Musician, Philosophy Teacher, and Director of Bladfold
José Amador talks with David Nixon, of the band “Awesome”, The Half Brothers and philosophy teacher at the University of Washington’s Bothell campus, about Bladfold, Nixon latest cinematic effort. The interview includes images and links to music from the film, as well as the movie The Shelf, Nixon’s animated film debut.
Labor Intensive: A Visit with Playwright Vincent Delaney
The consensus is clear: Not only is Delaney a unique storytelling voice, he works his ass off and he works his ass off through a method many pay lip service to but few genuinely grasp: collaboration.
an attempt not to line up all the ducks
A short poem by renown dancer and poet Christin Call.
Tradeoffs
Downstairs, he pours himself more coffee from the pot he made yesterday and heats it up in the microwave. The coffee comes out hot, thanks to microwaves. Very small waves energizing, exciting, vibrating, accelerating, colliding, rubbing molecule against molecule, creating heat. At least that’s his idea.
The Rules of Engagement: Freehold Takes King Lear on the Road
Freehold Theatre continues their summer tradition with their Engaged Theatre performance of King Lear.
Interview With Lyam White, Creator/Instigator of the UMO Ensemble’s Maldoror: The Birth of a Villain
José Amador sits down with the UMO Ensemble’s Lyam White in order to discuss the ensemble company’s latest project, an adaptation of Lautremont’s late-19th Century proto-surrealist work, Les Chants de Maldoror.
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