Category: Dance
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UMO Ensemble’s Maldoror: Absurd Lyricism Envelops The Senses
As with all of UMO’s productions, one particularly needs to forget the brand of kitchen sink realism that is often presented on our stages. Instead, in order to begin appreciating it, what is required is an openness of the senses, an awareness of what’s transpiring…
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The Working Artist: Paige Barnes – The Artist
Part 3 of The Working Artist series featuring dancer Paige Barnes. Wherein Omar Willey discusses the role of the artist in society with bits of poetry.
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The Working Artist: Paige Barnes – In The Studio
Ms. Barnes has been popping up everywhere lately: From Vanessa deWolf’s Score for an Unrehearsed Ensemble to impromptu events at Kaleidoscope Vision and Danse Perdue, she has shown a penchant for keeping busy. Still, she always returns to Open Flight Studio, which she co-founded in…
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The Working Artist: Paige Barnes — Teacher, Student, Artist
There are scoffers in the community who believe that artists do not do any real work. Paige Barnes’ life and career offer a perfect rejoinder to this sort of nonsense. She is as devoted to her community as she is to her craft and her…
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The Idea of the Unknown: An Interview with Northwest New Work’s Vanessa deWolf
José Amador sat down with deWolf to discuss her project for NWNW, Score for an Unrehearsed Ensemble, and define her usage of the word “score”, figure out the first impulses behind her latest project, and compare the act of performative improvisation to following a meatloaf…
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The Working Artist Series with The Cabiri: Educating the audience
How does one get into aerial arts, anyway? It is no secret that one of the great problems of the performing arts is creating continuity. Not only continuity of style, and not only continuity of tradition, but also continuity of knowledge among practitioners as well…
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Live! The Realest MC: Posture and Poise
On the surface, Kyle Abraham’s new dance work at On the Boards, Live! The Realest MC, seems to be about gay issues. It is a queer retelling of The Adventures of Pinocchio. The reality, however, is more complex. It is as much about how sex…
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Straight from the Can: Tin Can Studio serves up food for the soul and then some
In keeping with her art’s humble origins, Hayes and her husband Michael White Hayes drew their new art space’s moniker from a similar pool. “We were very deliberate about choosing the name Tin Can Studio. A tin can is a simple, common thing but it’s…
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Seattle Chamber Players team up with Olympic Ballet Theatre for The Kairn of Koridwen
Part of the exploration of the Seattle Chamber Players’ American Chamber Dance series aims to revive “rarely performed ballets conceived for chamber ensemble and dancers by maverick American composers.” Charles Tomlinson Griffes was certainly a maverick and his beautiful ballet is rarely performed–very rarely.
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Mark Haim’s X2: Remarks in passing
I quite liked the first half of Mark Haim’s X2 at On the Boards. It is an inventive use of space and time all linked by Louis Andriessen’s music De Tijd (Time), inspired as much by the Confessions of St. Augustine (which form its text)…