Comedy Cavalcade at the ‘Couv
Who says Canadians aren’t funny? Nobody, that’s who.
Another approach to the classics: Emma at the UW
Jane Austen’s novel Emma has proven strong enough over the past two hundred years to connect with many different audiences. It has also proven flexible enough to withstand the separate approaches of faithful rendition and tangential adaptation. It has withstood both stiff, starchy costume drama versions such as the BBC miniseries and even modern-dress musical versions.
El pasado es un animal grotesco: Life in the round
As Argentine theater director German D’Alessandro says, “We are still in search of what is really our tradition in theatre and culture generally speaking.” This is also, however, a great strength, as Mr. D’Alessandro notes: “Because we are not part of any important tradition we can risk more than other countries.” This risk is a beautiful thing that allows for many beautiful plays like El pasado es un animal grotesco.
Theater 9/12’s A Shade of Green: A Well Written Play Performed With Integrity
John Allis attends the world premiere production of Charles Waxberg’s A Shade of Green at Theater 9/12, and comes back praising every element highly.
Cocktails at the Centre of the Earth at Annex Theatre: Rollicking, Yet Empty, Times
John Allis takes in Annex’s Cocktails at the Centre of the Earth, and while it is every bit the zany, madcap, pun-filled steampunk romp it promises to be, there’s not much else there.
Strawberry Workshop’s The Bells: Desperation and Haunting in the Klondikes
Strawberry Workshop’s production of Theresa Rebeck’s The Bells is a mystery that evokes the isolation found in the Klondikes at the turn of the 20th Century as a backdrop. José Amador breaks it down to its component parts and shares the results.
Tartuffe: Comedy vs. Satire
Tartuffe is a neoclassical play. In order to translate it into English for a modern American audience, one must choose not only between meaning and sound, prose and poetry, but also between spirit and accuracy, idiom and trope.
Tommy Smith’s White Hot at West of Lenin: Mean Frailties
The production of Tommy Smith’s White Hot inspires comparisons to Neil Labute and Sarah Kane, placing it in context with their abrasive and corrosive works in a favorable light.
Maxims for Theatrical Revolutionists
A provocation.
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