Motion From Emotion: Karin Stevens Dance’s re(MOVE) : re(TURN)
Omar Willey considers the Chinese Wu Xing and the dance of Karin Stevens in his latest review.
Sacrifice & Attachments: An Interview with Annex’s Eat Cake Team
José Amador interviews the playwright, director and ensemble member from Annex Theatre’s upcoming production of Seth Tankus’ EAT CAKE.
MAP Theater’s Belleville (dir. Peggy Gannon)
José Amador discusses the unfortunate familiarity found at the center of MAP Theater’s production of Amy Herzog’s BELLEVILLE.
Preview: Tarhun
A preview of The Cabiri’s remount of Tarhun: Legend of the Lightning God
The Strange Undoing of Prudencia Hart
Wesley K. Andrews returns with some thoughts on the devil and Miss Hart.
Buried in The Language Archive
Concerning Julia Cho’s melodrama. Omar Willey writes.
Seattle Fringe Festival 2016: Opinion & Four Mini-Reviews
José Amador muses on the return of the Seattle Fringe Festival after a year long absence, briefly reviews four productions and suggests a handful of other shows at the Fest.
The Value of a Story: Riding on a Cloud
Some thoughts on the unfortunate separation of storytelling from theater, by our publisher.
Chop Shop: Narrowing the Field
Omar Willey braves the I-90 traffic to visit Bellevue and bring back a report on the latest dance showcase.
“I have a terrible fear I shall one day be pronounced holy”: Akropolis Performance Lab’s Ecce Faustus
Omar Willey gets back to the theater beat and finds himself face to face with Mephistopheles and other Germanic plights.
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