Hypnogogia, Community and the Night: The Cabiri’s Ezid
Thoughts on the Cabiri’s production of Ezid and contemporary mythmaking.
Big Choices, Fake Storefronts: Seattle Musical Theatre’s 1776
What if Seattle’s theater community is actually a Potemkin village? Omar Willey muses on Seattle Musical Theatre’s latest production.
Of Gods, Angels, Demons, and Giants: The Cabiri Open Ezid at Cornish Playhouse
Omar Willey gives a short preview of The Cabiri’s second part of their magnum opus, Ezid.
The Presumption of Familiarity Breeds Contempt
Back to polemics, Omar Willey muses on the absence of classics.
Not All Who Are Lost Wander: On the Verge
Thoughts on the UW UTS production of Eric Overmyer’s play.
Holy Roughness: The Glas Nocturne
An overture of thoughts on Akropolis Performance Lab’s The Glas Nocturne.
La isla no tiene nada para nadie: José Amador talks about El Hijo Prodigo
And several butchers’ aprons.
Repsorp dna gnol evil: Unfixed Arias
Omar Willey enjoys himself at the latest Coriolis programme.
Lizard Boy: Hand on the Glue Gun
Wes K. Andrews feels out the latest musical at the Rep.
Splurge Land: Hollow Excess
Omar Willey regales you with his evening in Kate Wallich’s Splurge Land.
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