An Interview with the Creative Nucleus Behind Fail Better
Jose Amador interviews the creative crew behind UMO’s Fail Better.
The Most Deserving at Theater Schmeater
Theater and stuff and art and things on the fishy side of Otto S. Fishbein.
Lizard Boy: Totally Righteous Pizza Nerd Godhead, Dude
One must resort to extreme measures to capture the extraordinary intricacies of subtlety and text and stuff in Justin Huertas’s latest playcomicmusical thingie.
We Are Proud to Present a Presentation About Race That Doesn’t Insult Your Intelligence
Omar Willey talks about race and stuff in Pony World’s latest presentation.
Two Types of Mystery: NINE and The Long Road
More theatrical musings from our publisher, this time about Arouet’s production of two contrasting one-act plays.
Artist, Suffering and Insufferable: Blood Water Paint
Thoughts on Joy McCullough-Carranza’s Blood Water Paint.
Paul Mesner’s Pulcinella: Anarchy in a Coppolone
Some thoughts on an old, old tradition. By Omar Willey
Split-Level Head: Cineastas
Omar Willey considers the levels of fiction in Mariano Pensotti’s latest production.
The Joys of Not Being Patronized: Paul Mesner’s The Dinosaur Show
What you can do in children’s theater shows what is wrong with adults. Omar Willey writes.
With Conviction: Yellow Face
Thoughts on the UW UTS production of Yellow Face.
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