-

The Seattle True Independent Film Festival Deserves Your Love
The Seattle True Independent Film Festival is upon us, and here’s why you should start paying attention to it.
-

boom! theater company, New Works Festival, Phase II
The offerings of the New Works Festival, varying drastically in tone and form, are matched in a number of combinations throughout it, making for continuously-changing playbills. So that while Mountain of Dreams, for example, goes up one evening alongside Vitruvius and Fight, it’ll share a…
-

Wing-it Productions brings us GAUNTLET: There’s jousting.
There is often a fine line between video games and reality. Some of us pour over a controller or mouse for hours at a time, tailoring our gaming experience to be exactly the fantastic reality we wished we could live in. Being able to escape…
-

The Show Must Go On, Part 4: Off the Page
My plan was to write a draft of the story, and then cut and adapt the scenes. But all things work together for good, at least in this case. Before I spiral much further into angst or research or other forms of writerly avoidance and…
-

Annex Theatre’s Team of Heroes: Behind Closed Doors: Biff! Klertch! Sigh.
Team of Heroes: Behind Closed Doors, now in production at Annex Theatre, is the second part of a proposed trilogy that aims to bring the excitement of comic books on stage with a mix of humor and pathos. Unfortunately, the plays have so far leaned…
-

Those “make-em-ups”: 20 years of emerging art from Wing-It Productions
“The spirit of improv itself is the inventive spirit.” —Andrew McMasters
-

The Working Artist Series with The Cabiri: Educating the audience
How does one get into aerial arts, anyway? It is no secret that one of the great problems of the performing arts is creating continuity. Not only continuity of style, and not only continuity of tradition, but also continuity of knowledge among practitioners as well…
-

The Show Must Go On, Part 3: The Structure and The Stakes
One piece of my self-assigned homework last week was to look at more storytelling guidelines, so I did. This set of storytelling tips on The Moth, hit me hard, especially this part: the stakes of the story need to be clear to you, and to…
-

Tell Me the Hurt Thing
Push number four because the stairs are murder: a crooked rattle- snake spine, windows painted shut, walls twice papered over, built into catacombs you’re sure they know by heart: busted hall lights & pitch dark landings, cul-de-sacs colored a murderous blood-red.
