The Seattle Community Network Revives Their Commitment to the Future
It’s 1993. Unless you are locked regularly in the basements of university computer science departments, you have never heard of the World Wide Web. If you have a computer at all, your computer runs at a maximum of 100 mHz and may have 4MB of memory, unless you can spare an extra thousand dollars in which case you may have 8MB–if your computer can actually accept it, since upgrades are impossible in many models.
From the publisher
I aim with The Seattle Star to use my pages to help rebuild our community, to use our knowledge and our limited power to bring artists together and to bring people together with artists. So far we have done this quietly, by publishing poetry, drama, radio plays and fiction alongside our essay writing. We will continue to do so, but rest assured we will expand this mission visibly over the next year.
A Few Clumsy Words about Jeffrey Brown
When I first moved to Boston from Seattle in my early twenties, I was filled with confusion, excitement, and the terrifying thought that I had no idea what I was doing when it came to relationships, jobs and the other mysterious workings of the world. Around that time my good friend Laura introduced me to Brown’s first graphic novel, Clumsy. In his book, Brown so realistically painted a portrait of young love–in all of its awkwardness, earnestness and blind idealism–that it all felt immediately familiar.
The Show Must Go On #7: A Deep and Generous Listening
You can take a girl out of academia, but you can’t quite take the academia out of the girl. So I’ve been reflecting on what I’ve learned from this storytelling show process so far. And I know there will be more after the show itself.
boom! theater’s New Works Festival: Over: Exposed & boatcanoetubfloaty
The boom! theater company is one of Seattle’s more adventuresome young theater companies who recently concluded a six month New Works Festival, selections of which the company will take on tour later in the year. John Allis discusses two of the pieces: Gesamtkunstwerk!’s Over: Exposed and boom!’s own boatcanoetubfloaty
The Show Must Go On #5: Behind the Scenes (An Interview With My Producers)
I’ve been preparing to perform in Drunken Telegraph: From Living Plank to Pine Tree, a storytelling show in Tacoma. It’s been a great adventure to think about taking my work from page to stage. For this week’s post, I’ve got an intermission post of sorts, or—to mix my theater metaphors—a behind-the-scenes interview with the show’s co-producers, Megan Sukys and Tad Monroe.
ArtsCorps Student Showcase: Watering the Grassroots
Virtually every good citizen is aware of the massive cuts made to arts funding and arts education on a national scale over the past twenty years. Fewer people, however, are aware of the immense disparity between the haves and the have nots when it comes to the education their children receive in the arts. For that reason, programs like ArtsCorps have always been of utmost importance to me.
At STIFF: This Is How I Roll
Direct from the creative minds of New York filmmakers Kat Vecchio and Joe Mihalchick is This Is How I Roll—a fresh STIFF documentary depicting men who actually strive to skate, hit and dominate just like the ladies.
boom! theater company, New Works Festival, Phase II
The offerings of the New Works Festival, varying drastically in tone and form, are matched in a number of combinations throughout it, making for continuously-changing playbills. So that while Mountain of Dreams, for example, goes up one evening alongside Vitruvius and Fight, it’ll share a bill the next week with Over: exposed. As a result, performances compliment and/or clash with one another to varying degrees from night to night, and each evening is by design unique.
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