Category: Theater
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On Avoiding Artistic Integrity For Commercial Success
The ensuing commentary was originally intended to be the introduction to our review of Brandon Simmons’ IS SHE DEAD YET?
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Is She Dead Yet? at Annex Theater (dir. Brandon J Simmons)
José Amador on the controversial comedy taking place at Annex Theatre.
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In the Absence of the Feminine: Dance Like a Man
Omar Willey disserts on Pratidhwani’s production of Mahesh Dattani’s highly-respected play.
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The Drama is Unbecoming Now: Six Characters in Search of an Author
Omar Willey muses on Seattle Theatre Works’ production of the Pirandello classic.
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Big Choices, Fake Storefronts: Seattle Musical Theatre’s 1776
What if Seattle’s theater community is actually a Potemkin village? Omar Willey muses on Seattle Musical Theatre’s latest production.
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The Presumption of Familiarity Breeds Contempt
Back to polemics, Omar Willey muses on the absence of classics.
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Not All Who Are Lost Wander: On the Verge
Thoughts on the UW UTS production of Eric Overmyer’s play.
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Holy Roughness: The Glas Nocturne
An overture of thoughts on Akropolis Performance Lab’s The Glas Nocturne.
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La isla no tiene nada para nadie: José Amador talks about El Hijo Prodigo
And several butchers’ aprons.
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