Author: Omar Willey
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Fear of a Critical Planet: On Student Drama, Flacks, Hacks and Low Expectations
The Star’s publisher receives a press release that sparks a thousand thoughts about the press, public relations and the actual relationship of audiences, artists and critics.
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The problems of a Morning Serial
What is true of reading printed comics is equally true of reading comics on the Internet, with the added difficulty that stems from the distractions endemic to reading at a computer. How much more difficult then for a curator to attempt to translate the experience…
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Gary Hill’s Glossodelic Attractors
Even among my friends and associates who tend to consider themselves more cultured than most, very few have heard of Gary Hill. Behind this lack of knowledge, I suspect, is the typical disdain with which Seattle often treats its own artists, preferring to fantasize that…
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The Seattle Community Network Revives Their Commitment to the Future
It’s 1993. Unless you are locked regularly in the basements of university computer science departments, you have never heard of the World Wide Web. If you have a computer at all, your computer runs at a maximum of 100 mHz and may have 4MB of…
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From the publisher
I aim with The Seattle Star to use my pages to help rebuild our community, to use our knowledge and our limited power to bring artists together and to bring people together with artists. So far we have done this quietly, by publishing poetry, drama,…
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Inventions of Memory: Trimpin and the Gurs Zyklus Arrive On the Boards
Some people have called it an opera, some have called it a sound sculpture, some have called it musical theater, some have called it theatrical music. Whatever one chooses to label it, The Gurs Zyklus is most certainly a work by Trimpin and one that…
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ArtsCorps Student Showcase: Watering the Grassroots
Virtually every good citizen is aware of the massive cuts made to arts funding and arts education on a national scale over the past twenty years. Fewer people, however, are aware of the immense disparity between the haves and the have nots when it comes…
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The Minister of Chance: Serial Telling
Those who know me also know I crusade regularly against bad science fiction in popular culture. They also know that I am not a Doctor Who fan by any stretch of the imagination. Probably, then, there will be some surprise in the ranks that I…
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Rouge: The idée fixe
Performance art is not generally known for its sense of humor. For the past thirty years or so it has been tied down quite often to outrage and outrageousness, particularly concerning sex. However there is certainly another thread of performance art that draws upon absurd…
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The Working Artist Series with The Cabiri: Educating the audience
How does one get into aerial arts, anyway? It is no secret that one of the great problems of the performing arts is creating continuity. Not only continuity of style, and not only continuity of tradition, but also continuity of knowledge among practitioners as well…
